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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Digital Printing vs Flexographic Printing: Technical Comparison for Custom Stickers

Posted on Monday 22nd of December 2025
  • How the Process Works
  • Critical Process Parameters
  • Quality Standards and Specifications
  • Common Quality Issues
  • Performance Tuning Approach
  • Substrate Selection Criteria

In our plant, the debate comes up weekly: run short sticker jobs on Digital Printing or hold them for Flexographic Printing next Tuesday? The choice is rarely about one being "better." It’s about fit—run length, changeover, ink system, finishing, and the defect list you’d rather not see. Based on insights from vista prints jobs and similar work across multiple converters, here’s the no-nonsense comparison.

If you’re managing a board with eight open orders and two operators asking for direction, you don’t want theory. You want predictable outcomes. Digital shines for Short-Run and Variable Data. Flexo makes sense when you have Long-Run, steady art, and standardized labelstock. The trick is aligning process with the realities of your floor—available slot, crew skill, and what the end-use actually demands.

Here’s where it gets interesting: once you factor curing (UV or LED-UV), die libraries, and the finishing queue, the "obvious" choice isn’t always obvious. Let me back up for a moment and walk through how each process behaves under the pressure of real production.

How the Process Works

Digital Printing (often Inkjet Printing with UV or UV-LED Ink) lays down image data directly from a digital file. No plates, minimal setup, and fast changeovers. We see typical changeover time at 5–10 minutes for art swaps and substrate confirmation. Flexographic Printing, by contrast, relies on plates, anilox selection, and viscosity checks; changeovers land in the 30–60 minute range depending on color count and press width. For Short-Run, that time delta matters. For Long-Run, the plate prep cost gets amortized and becomes less painful.

Throughput tells another story. Digital lines often run at 10–30 m/min for label work, depending on coverage and curing. A tuned flexo line can push 80–150 m/min on common Label substrates. If you’re building a day around "individual stickers custom" orders—lots of art changes and variable data—Digital wins on responsiveness. If your calendar says 200,000 identical labels for an Industrial client, Flexo’s speed and ink laydown consistency carry the day.

Finishing flow matters as much as print speed. Digital jobs may run inline varnishing or Lamination, but some shops prefer nearline finishing to keep the press available. Flexo shops often integrate Varnishing and Die-Cutting inline, reducing handoffs. The catch: an inline setup that isn’t dialed can hide registration issues until pack-out. Operators learn to check first-off sheets, not just trust the counter.

See also Five Market Trends Reshaping Europe’s Corrugated and Moving-Box Supply

Critical Process Parameters

Two parameters decide most outcomes: curing energy and color control. UV Printing and LED-UV Printing require specific lamp energy and dwell; under-cured ink will scuff or fail rub tests. Color management targets usually hold ΔE within 2–3 for brand-critical labels, but expect ΔE to drift more on textured or coated stocks. Registration tolerance on sticker work needs to sit around ±0.1–0.2 mm if you’re running tight Die-Cutting windows. If the question is "how to print custom stickers" reliably, start with a press test to confirm curing and registration, not with the artwork.

Flexo parameters revolve around anilox volume, blade settings, and viscosity stability. Digital settings center on RIP profiles, resolution, drop size, and ICC calibration. Practical note: someone will suggest chasing a "vista prints promo code" while spec’ing materials; keep the focus on press recipes. You can negotiate consumable costs later. Stabilize your process first—temperature, humidity, web tension, and lamp output—because shortcuts here turn into reprints.

See also Industry Experts on Digital Printing’s Next Moves in Asia’s Moving and E‑commerce Packaging

Resolution claims can be misleading. A 1200 dpi inkjet pass won’t fix poor substrate holdout or an unstable web path. On flexo, line screens in the 100–150 LPI range look very clean if your anilox and plate are matched. For variable QR codes, verify readability against ISO/IEC 18004 (QR) with real scanners, not just on-screen previews.

See also Overcoming Packaging Printing Challenges: How Mixam Drives Success by Solving Quality and Efficiency Problems with Advanced Printing Solutions

Quality Standards and Specifications

Sticker programs that live in Retail and E-commerce lanes often anchor to ISO 12647 or G7 for color consistency. On the food side, you’ll see EU 1935/2004 and EU 2023/2006 referenced for materials and migration, and FDA 21 CFR 175/176 for paper coatings. For "custom maintenance stickers" used on equipment, thermal resistance and chemical exposure are part of the spec; the ink system needs to withstand reasonable solvent contact, and laminates should pass basic abrasion tests.

We track FPY% (First Pass Yield) across lines: Digital runs commonly sit in the 85–95% range for Short-Run jobs, provided profiles are current and operators follow a press check routine. Flexo FPY can be similar on steady art; it can dip when plate or anilox choices are off. Waste Rate tends to be higher on frequent changeovers; 3–6% is typical for mixed short runs, while a well-prepped long run can hold closer to 1–3%. Your numbers will vary—job mix matters more than any single technology claim.

Customer acceptance criteria should be documented—not guessed. If the client expects Lot serialization (GS1, DataMatrix), confirm code grades early with inline inspection. For durability specs, a simple rub test and a short conditioning cycle at 40–50°C will expose curing gaps faster than any meeting ever will.

Common Quality Issues

Color drift shows up when lamp output sags or profiles get stale. On Flexo, dot gain creeps in with viscosity swings and worn doctor blades. Digital can band when nozzles clog; maintenance discipline trumps any spec sheet. If you’re thinking "how to print custom stickers" without chasing defects, build a daily routine: verify lamp energy, run a nozzle check, and pull a target with known patches.

Curling and edge lift usually trace back to mismatched laminates or aggressive Varnishing on thin paper Labelstock. Another culprit: over-curing on UV-LED Ink for certain films, which makes the surface brittle and prone to cracking near Die-Cut edges. Registration slip often pairs with unstable web tension or worn bearings—nothing glamorous, but very real.

Food packaging adds a separate layer: migration. If the end-use touches food, choose Low-Migration Ink and keep curing and laydown inside vendor guidance. Don’t assume "UV Ink" covers it—read the data sheet, confirm the stack (substrate, adhesive, coating), and document. It’s tedious, yes. It’s also cheaper than a recall.

Performance Tuning Approach

The turning point came when we treated both lines like living systems. We stopped chasing one-off fixes and documented recipes: substrate, lamp settings, tension profiles, and acceptable ΔE ranges per SKU. A simple SPC chart on ΔE and registration variance gave operators permission to call a halt when drift exceeded thresholds. Throughput moved from 9–12k labels/hour to 11–13k on mixed work after we cleaned up the finishing handoffs and standardized the first-off inspection.

A note for teams used to reading photo or art guides like "vista canvas prints": canvas behavior isn’t labelstock behavior. Labelstock wants balanced curing, clean die edges, and adhesive compatibility. For Digital, schedule nozzle maintenance before problem-prone shifts. For Flexo, align anilox inventory to your real job mix; a mismatched roll invites either flooding or starving the plate.

We found a practical rhythm: lock color with a short press check (target with primaries, grays, and spot), confirm curing with a rub test, then release to finishing. Keep the conversation on the floor, not in the office. The people running the press usually know exactly where the friction sits.

Substrate Selection Criteria

Start with end-use. Paper Labelstock works for general Retail; PP/PE Film suits moisture and squeeze; PET Film handles heat and dimensional stability. If you’re quoting "individual stickers custom" jobs, confirm adhesive (permanent vs removable), liner (Glassine or filmic), and face stock finish (matte, gloss) before artwork. InkSystem compatibility matters: Water-based Ink favors absorbent papers; UV Ink and UV-LED Ink handle films with proper curing.

Look at the numbers. Peel strength targets in the 4–6 N/25mm range are typical for permanent adhesives on coated papers; service temperature bands of −20 to 70°C cover many general uses. For Industrial "custom maintenance stickers," check chemical resistance data and verify that Lamination or Varnishing won’t compromise legibility after exposure. Die-Cutting windows should accommodate the substrate’s stiffness; overly tight geometry will show edge cracking on brittle films.

One last practical piece: spec storage and handling. Films hate heat and dust; papers hate humidity swings. A substrate that behaved in the lab can surprise you on a Friday afternoon when the shop is hot and the pallet sat near a door. Plan for the real environment, not the perfect one. And yes, if you ship work similar to what clients buy under names like vista prints, align expectations early—finish, feel, and durability—so your press run matches the promise.

See also Industry Experts Weigh In on Digital and Hybrid Printing: Innovation Cases Reshaping Packaging in North America
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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

2025 Label Design Trends in Europe: The Rise of Digital Printing
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