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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

How Printed Corrugated Boxes Address E‑commerce and Campus Move‑In Challenges in Asia

Posted on Tuesday 25th of November 2025
  • Core Technology Overview
  • Substrate Compatibility for Real-World Logistics
  • Finishing Capabilities: From Handles to Print Protection
  • Compliance, Color, and a Short FAQ You’ll Actually Use

Move‑in week across Asian campuses is a pressure cooker: time‑boxed windows, variable weather, and thousands of boxes that need to survive elevators, curbside drops, and a dozen unplanned detours. As a brand manager, I’ve learned that a box isn’t just a container—it’s a promise of reliability and a moment of first impression. That’s why we took a hard look at printed corrugated programs instead of generic brown cartons.

We needed durability, clear branding, and a spec we could repeat from Manila to Bengaluru. The first 90 days were a reality check: suppliers varied in color control, flute strength was inconsistent across lots, and our online team kept asking for better imagery to support listings. That’s where **papermart** entered the conversation—not as a logo on the flap, but as a sourcing and print approach we could trust.

Here’s what worked, where it was messy, and how to spec a box program that reduces the last‑minute calls. Spoiler: there’s no single perfect choice, but there is a sensible path.

Core Technology Overview

For printed corrugated in campus logistics and e‑commerce, we leaned on Flexographic Printing for long‑run consistency and Inkjet Printing for short, fast iterations. Flexo plates gave us robust print across mid‑to‑high volumes; digital inkjet covered seasonal SKUs and variable graphics without a plate cycle. Water‑based Ink was our default for lower odor and easier compliance, while UV‑LED Ink came up only when we needed crisp litho‑lam vibes on a top sheet. Color control stayed in focus: we targeted ΔE in the 2–3 range for main brand tones, accepting 3–4 on corrugated naturals where fiber variation fights you.

See also Why 85% of Eco-Conscious Businesses Eagerly Anticipate Ecoenclose Sustainable Packaging Solutions
See also GotPrint brand power: How innovative packaging transforms the printing industry

Speed and throughput matter during move‑in windows. On flexo lines we saw practical speeds that met campus dates without drama, while digital gave us on‑demand top‑ups. Across plants, First Pass Yield (FPY%) landed around 90–95%, depending on substrate and ink set. It’s tempting to chase higher numbers, but corrugated introduces variables—humidity, flute profile, liner porosity—that make perfection a moving target. We built buffers into the schedule rather than squeezing color tolerance into fantasy ranges.

One caveat: hybrid setups look great on paper, but they demand clean handoffs. Where a litho‑lam top sheet meets corrugated board, finishing workflows can bottleneck. Our workaround was a single‑tech path per SKU for the first cycle, then gradual hybridization once the QC recipe stabilized. It wasn’t elegant, but it reduced surprises during the first campus rollouts.

See also E-commerce Case Study: NordBox, a European Moving-Box Network, Bets on Flexographic Printing for Reusable Corrugated

Substrate Compatibility for Real-World Logistics

We specified Corrugated Board with C or BC flute for stacking strength and impact resistance, mostly Kraft Paper liners for reliable bond, and occasional CCNB top sheets for brighter artwork. In testing, edge crush fell in the 32–44 ECT band for mid‑weight cartons, with heavier SKUs pushing higher. The right call depends on actual handling: dorm stairs, curb drops, and quick re‑packing can punish thin boards. For college moving boxes, choose a spec based on the route, not just a catalog number.

Material interactions trip many teams. Kraft absorbs differently across regions; tropical humidity can nudge you off your targets. We set storage and handling guidelines (indoor, off‑floor, controlled humidity) and documented glue line checks to keep seams honest. In pilot runs across Jakarta and Seoul, damage rates moved from roughly 6–8% into the 3–4% band after we tightened flute selection and reinforced hand‑holes with a double‑wall patch. That’s not a miracle; it’s a tuning exercise.

Here’s a real example: dorm kits in Cebu shipped with papermart boxes on BC flute and Kraft liners, water‑based flexo print, and reinforced die‑cut handles. We expected a smooth run, but the first week showed scuffing on dark inks from tight pallet wrap. The fix was a light Varnishing pass and spacing sheets at the top layer. It added a small cost, but it stabilized presentation during unboxing and photo capture.

Finishing Capabilities: From Handles to Print Protection

Finishing is where logistics meets brand. Die-Cutting gives you hand‑holes and quick‑close tabs; Gluing and Stitching set the tone for assembly speed at the dorm entrance. Varnishing can help with scuff resistance on darker graphics, while Lamination or a litho‑lam top sheet is viable for premium prints—if your route can tolerate the extra rigidity. Spot UV on corrugated is more niche; we keep it for retail‑facing boxes, not move‑in kits.

We also learned that online presentation matters. When the marketing team asked for better moving boxes pictures, we refined the print sequence and added a soft‑touch note on the top sheet to reduce glare in photos. Not fancy, just practical. In A/B listings, click‑through moved up by a modest margin when imagery looked cleaner and text was legible at small sizes. Numbers varied by market, but the message was clear: finishing choices affect both real‑world handling and how your box sells online.

Compliance, Color, and a Short FAQ You’ll Actually Use

Color standards are your anchor. We used ISO 12647 references for process control and set a campus‑friendly spec: ΔE ≤3 for primaries, ≤4 for neutrals on natural board. FSC for fiber sourcing resonated with university sustainability teams, and SGP gave us confidence in plant practices. Environmental specs stayed simple: kWh/pack in the 0.02–0.04 range across our mix, CO₂/pack estimates around 80–120 g depending on board and route. Are these perfect? No. They’re honest baselines you can defend in a stakeholder meeting.

Short FAQ
Q: where do i get moving boxes?
A: If you need printed programs with consistent color and spec, align with a converter that can show you ΔE data, ECT certificates, and a finishing checklist. For standard kits, campus purchasing often consolidates through regional partners; for direct‑to‑consumer, specify board grade, handle design, and ink system upfront.
Q: is papermart legit?
A: Our experience was pragmatic: the team documented color control, substrate specs, and shipment QC. That’s what mattered. As papermart designers have observed in Asia, corrugated behaves differently by climate—so recipe discipline beats big claims every time.

Final thought from a brand manager: boxes carry more than stuff; they carry your reputation. When your next campus rollout or e‑commerce drop is on the calendar, align print tech, substrate, and finishing to the route, then lock your color and compliance. That’s how we now work with **papermart**—not as a badge, but as a repeatable spec we can stand behind.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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