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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Is Digital (Eco‑Solvent/UV‑LED) or Screen Better for Custom Vinyl Stickers? Practical Answers for North American Shops

Posted on Tuesday 16th of December 2025
  • Application Suitability Assessment
  • Speed vs Quality Balance
  • Total Cost of Ownership
  • Vendor Evaluation Criteria

What if you could hit offset-like edges at digital speeds and still keep outdoor durability? That’s where modern inkjet—Eco‑Solvent and UV‑LED—meets tried‑and‑true screen printing. Based on insights from ninja transfer’s work with dozens of North American shops, the right choice depends less on hype and more on job mix, substrates, and the discipline of process control.

Here’s the practical truth: both paths can deliver durable, color-accurate vinyl stickers on labelstock or PE/PP/PET film. The deciding factors are run length, color tolerance (ΔE targets), opacity needs, and finishing. There isn’t a universal winner; there’s a better fit per specification.

Use this Q&A‑style comparison to match your projects to the right process, keep FPY% steady, and reduce rework without compromising the brief.

Application Suitability Assessment

If you’re printing 50–300 pieces per SKU, variable data, or frequent changeovers, Digital Printing (Eco‑Solvent or UV‑LED) usually makes sense. Screen Printing starts to look attractive from 2,000–10,000 pieces of a static design or when you need heavy laydown for extreme opacity. For tight color targets, teams keeping ΔE within 2–3 against brand references report stable FPY% in the 90–94% range when profiles are locked and verification is routine.

Outdoor use and durability set the substrate and finishing rules. Calendered PVC works for most vehicle decals; cast PVC handles long‑term exposure and curved surfaces better. Overlamination matters as much as ink: a 2–3 mil laminate extends UV resistance and scratch resistance meaningfully. For custom oval bumper stickers, don’t skip edge sealing if the die‑cut exposes adhesive; minor wicking over months can degrade aesthetics.

Engineers often get asked “how to make custom vinyl stickers” that hold detail and last. A reliable path is: select calendered or cast PVC based on exposure; choose Eco‑Solvent Ink for flexible installs or UV‑LED Ink for instant handling; print at 600–1200 dpi with ICC‑managed profiles; allow proper outgassing for Eco‑Solvent (8–24 hours depending on coverage) before Lamination; then Die‑Cut (kiss‑cut), weed, and sheet or roll finish. It’s not the only method, but it performs consistently across typical North American climates.

See also Understanding Digital and UV Flexo for Labels: A Deep Dive from Word Templates to Pressroom Reality
See also Why Flexo + Digital Brings Real Advantages to Moving and Archival Box Production

Speed vs Quality Balance

Throughput depends on ink system and curing. Mid‑range UV‑LED label printers commonly run 12–18 m/min in production modes; Eco‑Solvent is slower due to drying and outgassing. Screen Printing has near‑zero changeover speed once set, but setup takes time (20–40 minutes per color) and each additional color or special effect adds registration complexity. Where jobs flip constantly, digital spends less time idle.

On fine detail—think controller skins and micro text on ps5 custom stickers—digital’s 600–1200 dpi with tuned RIP sharpening retains edges on small type and barcodes. Screen can hit excellent solids and whites with high opacity, yet small serif type or fine 2D codes require careful mesh selection, emulsion control, and perfect off‑contact. Both can look crisp; digital simply gets there with fewer variables when designs change daily.

See also Channel expansion: 85% of packaging and printing industry gained distribution ROI via Avery Labels in 2023

There’s a catch: unprofiled digital workflows drift. If your weekly verification sheets aren’t checked and recalibrated, ΔE can slide from 2–3 to 4–5 with media lot changes. Screen has fewer “moving parts” once dialed in, but ink viscosity and squeegee wear can nudge tone values. Either way, process control beats machine spec sheets.

Total Cost of Ownership

TCO is more than ink price. Expect digital ink and maintenance consumables to land around $0.02–$0.06 per square inch depending on coverage; screen inks can be lower per area, but add screens, chemistry, and labor. Waste rate on stable digital lines often holds in the 2–4% range; screen runs with multiple colors and fine registration may sit around 4–6% until operators settle the process. For many shops, the payback period on a mid‑tier UV‑LED engine runs 12–24 months when short‑run stickers are frequent.

See also uploads

Energy matters, too. UV‑LED curing is efficient for stickers (roughly 0.04–0.08 kWh per A3 equivalent in typical modes), and there’s no extended dry time. Eco‑Solvent uses modest power but needs dwell/outgassing time that ties up WIP. Screen’s dryer adds load; good ventilation and solvent handling protocols add operating complexity. None of these are deal breakers—just inputs for a realistic ROI model. Your mix of SKUs, run lengths, and reprint rates will move the needle more than any single metric.

Vendor Evaluation Criteria

Color management first: ask for a G7‑aligned workflow, media‑specific ICC profiles for your PVC films, and a documented ΔE verification routine. Request sample packs and, if a vendor offers trial credits or ninja transfer codes for test kits, use them to validate lamination, die‑cutting, and weedability on your exact geometries. Finishing integration (Lamination, Varnishing, Die‑Cutting) should be demonstrated on your target materials, not brochure stock.

Support responsiveness is often overlooked. Shops frequently ask for a direct line or a ninja transfer phone number; in practice, a ticketing system with 2–4 hour remote response and clear escalation beats a single phone contact. Look for operator training that covers calibration, media handling, and FPY% tracking. Spare parts availability within 24–72 hours in North America keeps downtime reasonable.

Decision rule of thumb: heavy short‑run and variable data—lean digital. Massive static volumes or maximum opacity in one pass—consider screen. If your work centers on vehicle decals and console skins with periodic promotions, start digital and add screen capacity when stable long runs accumulate. Whichever you choose, lock your process and measure outcomes—FPY%, waste rate, ΔE—and revisit quarterly. That discipline matters more than the logo on the machine, whether it’s from a catalog brand or a team like ninja transfer.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

Digital Printing vs Offset Printing: Which Is Right for Your Brand Packaging?
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