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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

When Should You Choose Hybrid Printing for Labels?

Posted on Thursday 18th of December 2025
  • Technology Evolution
  • Critical Process Parameters
  • Color Accuracy and Consistency
  • Substrate Selection Criteria
  • Cost Reduction Opportunities

Hybrid label printing didn’t arrive with a single breakthrough; it crept in through a dozen quiet refinements. Flexographic units got tighter registration, inkjet heads learned to dance around microtext, and LED-UV curing trimmed heat and energy without dulling a rich varnish. As printrunner designers have observed on projects across Asia, the shift isn’t just technical—it’s visual. You can see it in cleaner small-type on film, crisper variable data, and foils that sit just right beside matte blacks.

Here’s the real hook: hybrid lets you treat labels like living canvases. Static brand assets flow through flexo; seasonal art, personalization, and late-stage changes ride the digital lane. It’s not a silver bullet. But when runs vary, SKUs multiply, and speed matters, the balance starts to look very practical.

Technology Evolution

Labels have long favored Flexographic Printing for speed and cost, with Digital Printing handling short runs and personalization. Hybrid Printing stitched the two together. A typical hybrid configuration pairs flexo stations for laydowns—white, spot brand colors, or primers—with Inkjet Printing for variable data and intricate graphics, then finishes with LED-UV Printing for fast, cool curing. Over the last 5–7 years, head reliability stabilized, ΔE drift narrowed, and inline inspection matured. The result: fewer compromises between creativity and throughput.

The turning point came when LED-UV reduced kWh/pack by about 10–20% compared with some mercury systems, while helping retain gloss and tactile effects. That change made designers bolder with heavy blacks and selective Spot UV near fine text; curing didn’t bully delicate edges as much. It’s a subtle visual win that’s hard to unsee once you start proofing side by side.

One beverage relaunch in Southeast Asia moved from pure flexo to hybrid to handle frequent flavor rotations. Over two quarters, their First Pass Yield (FPY%) settled in the 88–92% range after calibration and operator training. The team kept flexo plates for core brand hues, pushed late changes through inkjet, and used a soft-touch coating in one zone with a crisp varnish halo in another. It wasn’t seamless on week one—ink laydown over a heavy white on PET needed tuning—but by week eight, the registration and finish harmony created the shelf impact they were chasing.

Critical Process Parameters

On hybrid lines, speed and tension make or break quality. Many label converters run 50–70 m/min for balanced image quality and curing window; faster is possible, but risk grows if primers and varnishes aren’t tuned. Web tension control in the low single-digit newton range keeps inkjet heads happy, while LED-UV intensity and distance set the tone for gloss vs. matte interplay. Aim ΔE targets around 2–3 on brand-critical hues, and keep a tight recipe sheet for primers on films vs paper. In Asia’s humid climates, temperature stability and RH can shift ink behavior within a shift, not just a day.

See also 40% Waste Drop and Changeovers Down by 25 Minutes: A Digital–Flexo Label Upgrade for an Asia F&B Brand

Here’s where it gets practical: a high-humidity shop floor in Southeast Asia can sit at 60–80% RH during monsoon months. If your workflow echoes a quick-service model—think the simplicity of kinkos label printing for office projects—you’ll likely miss the fine-tuning needed for Labelstock and film combinations. Hybrid thrives on recipe discipline: same batch of primer, same curing profile, same web path, or you chase ghosts in color and adhesion.

Color Accuracy and Consistency

Designers want brand reds to land with intent. For hybrid labels, a good baseline is G7 or ISO 12647 alignment and a consistent spectro routine per shift. Expanded gamut (CMYK+OGV) can expand achievable color by roughly 15–25%, but don’t treat it as a magic wand; brand libraries need mapping and guardrails. For glossy label printing, watch how Spot UV and varnish alter perceived saturation—what matches under D50 can feel darker under retail LEDs. Plan your proofs for both.

Registration on modern hybrids often holds within ±50–80 microns when the web path and die station are dialed in. That’s tight enough for microtext and fine rules, but it assumes plate mounting and inkjet head alignment are kept in lockstep. Inline spectrophotometers reduce subjective debates; they don’t eliminate them. Your best ally remains a clear color decision tree: when ΔE exceeds a threshold, do you adjust ink density, re-profile, or flag a rerun?

My rule of thumb: put high-contrast artwork and brand-critical solids early in validation, not late. Once we saw a strong burgundy shift by ΔE 3.5–4.0 on a reprint only because a new varnish bumped reflectance. The fix wasn’t more ink; it was revising the finish stack. That saved time, material, and a headache that no QC report could neatly explain.

Substrate Selection Criteria

Pick the substrate for the life your label will live. Paper Labelstock is forgiving and cost-friendly; PP Film and PET Film handle moisture and flexing better. In Asia’s beverage aisles, condensation isn’t a theory, it’s daily reality. On PP film, a robust white underlay plus a tuned primer supports crisp small-type. For glossy label printing where specular highlights are part of the brand language, LED-UV varnish on film delivers a clean pop without waving the web. Don’t forget the Glassine liner—its release characteristics matter if you’re driving high-speed application lines.

Trade-offs are real. Films demand better surface energy control, and a Food-Safe Ink or Low-Migration Ink set becomes critical for EU 1935/2004 scenarios. Paper can feel warmer and print beautifully, but it scuffs sooner if the varnish or lamination isn’t matched to handling. If the product ships across tropical regions, test both storage and in-store conditions. Small delaminations show up first at edges; catching them in qualification beats discovering them at checkout.

Cost Reduction Opportunities

Let me back up for a moment and answer the question I hear most: how much does label printing cost? For common SKUs, you’ll see a wide band—from about $0.02–$0.20 per label—depending on run length, substrate, colors, finish (Foil Stamping, Spot UV, Lamination), and inspection requirements. Hybrid changes the calculus by trimming plates for variant SKUs, allowing variable data, and shortening changeovers. In many Asian plants I’ve visited, the payback period for a well-utilized hybrid line lands in the 12–18 month range, but only if scheduling makes use of short-to-medium runs rather than idling capacity.

See also Is Hybrid and UV‑LED Printing the Real Future of Custom Packaging?

Here’s a quick designer’s checklist: consolidate variant art into shared flexo plates for brand solids; push flavor names, QR (ISO/IEC 18004), and batch codes through inkjet; keep curing energy and tension recipes per substrate; and time your die changes with art swaps. If you’re coming from a retail mindset—like ordering quick office runs akin to kinkos label printing—remember that industrial finishing has different cost drivers.

See also Is One Moving Box Right for Every Job? A Practical Q&A for Sustainable Choices

One more practical note: if you’re ordering very short runs online and wondering about offers like a printrunner discount code or a printrunner promotion code, treat those as purchasing levers, not production levers. They can trim unit price at checkout, but your technical cost drivers are still substrates, ink sets (Water-based Ink vs UV Ink), and finishing passes. For on-demand product launches, that’s often enough to green-light a test, then scale into a hybrid program once demand stabilizes—and yes, that’s exactly how I’ve advised teams working with printrunner on seasonal micro-batches.

See also Industry Experts Weigh In on Digital Printing’s Next Chapter for Labels
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author-avatar
Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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