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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

30% Scrap Cut and 25% Throughput Lift: How a North American Box Maker Hit Its Cost Target

Posted on Monday 8th of December 2025
  • Company Overview and History
  • Cost and Efficiency Challenges
  • Solution Design and Configuration
  • Quantitative Results and Metrics

“We couldn’t keep buying uline boxes off the shelf and expect our margins to hold,” said Erin, Operations Director at a mid-sized converter in Columbus, Ohio serving both e-commerce and regional moving companies. “By Q2, we had to take control of cost, print consistency, and shipping damage, or we’d be chasing returns all year.”

The team didn’t set out to reinvent anything flashy. They wanted sturdy corrugated moving cartons that print clean, palletize safely, and survive two freight legs. But as orders grew across the Midwest and Ontario, a familiar question kept surfacing from customers hunting value—“where to buy cheap moving boxes”—and the plant had to respond with a credible, scalable answer.

Company Overview and History

The customer is a 20-year-old corrugated converter based in Columbus, Ohio, supplying moving firms, office relocators, and DTC brands. They run a 66-inch flexo folder-gluer cell for high-volume cartons, plus a small digital inkjet unit for short-run branding and address blocks. Historically, they purchased branded blanks from national distributors during peak season, then filled in with their own line the rest of the year. It worked—until volumes grew 18–22% year-over-year.

By 2024, their network served warehouses in Michigan and Pennsylvania with weekly transfers into Southern Ontario. Freight added volatility, and stockouts forced them to buy at retail when demand spiked. They benchmarked against retail options like uline boxes for pricing and durability targets, but owning the spec, print process, and pallet patterns started to look like the only way to keep control.

Cost and Efficiency Challenges

Finding cartons that hit the right cost-quality curve was the first hurdle. Sales kept hearing the same query—“where to buy cheap moving boxes”—and the plant had to translate that into a sustainable BOM. Unit cost swung with ECT grade changes and ink coverage. Scrap hovered around 7–9% on busy weeks, driven by color drift and crush damage at the bundle stage. Freight claims ticked up as the network expanded.

On the print side, one- and two-color Flexographic Printing on Corrugated Board should be simple, but ΔE drifted in warm months (averaging 4–5). FPY% sat in the mid-80s. Changeovers stretched beyond 35 minutes, mainly for plate swaps and ink adjustments. The team also fielded consumer questions like “where can i get empty boxes for moving,” pushing them toward clearer SKU differentiation: standard duty, heavy duty, and wardrobe formats with distinct markings.

Financially, purchasing branded blanks at spot pricing did bridge gaps, but the math was tough. The mandate became plain: engineer house cartons that met “boxes cheaper than uline” pricing targets for the core SKUs without trading away stack strength or surface print legibility. That meant locking in substrate specs, speeding plate changes, and cutting unnecessary touches on the line.

Solution Design and Configuration

The team standardized on ECT 32 for standard-duty moving cartons and ECT 44 for heavy-duty and file-storage SKUs, similar to uline bankers boxes. Postprint Flexographic Printing with Water-based Ink delivered durable, low-odor graphics for handling instructions and brand marks. For seasonal SKUs and address blocks, the inkjet unit covered Variable Data in Short-Run windows, avoiding plate costs on micro-batches. They also tightened the anilox/ink/paperboard triangle and set G7 targets to hold ΔE within about 2.0–2.8 on house colors.

Here’s where it gets interesting: the turning point came when they reworked pallet patterns and bundling. Bundles moved from 20 to 25 flats where compression testing allowed it, then shifted to GMA pallets with 80-gauge stretch film and corner boards. Die-Cutting and Gluing recipes were refreshed, and plate libraries were labeled by substrate and humidity range. Changeover kits (plates, anilox sleeves, ink pails) were staged at the cell instead of the central room, trimming walks and waiting time.

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They also documented a clear SOP for a frequently asked question: “how to ship moving boxes.” The answer: ship flat to reduce volume, strap in cross pattern, use edge protection, and maintain a 5-over-5 pallet pattern up to tested safe heights. For DTC kitted offers (pre-assembled bundles), they limited multiples to tested stack heights and printed QR codes (ISO/IEC 18004) linking to assembly and load guides. It’s not glamorous, but those details cut handling damage roughly in half.

Quantitative Results and Metrics

Fast forward six months. Scrap dropped by about 30%, FPY% moved from roughly 86% to 94–95%, and average ΔE on house colors settled between 1.8 and 2.4. Changeover time fell from 38 minutes to around 22–25 with staging and plate library discipline. Throughput rose by about 25% on the flexo folder-gluer, largely from steadier runs and fewer color corrections. Freight damage on flat-packed bundles declined from around 2.8% to 1.4% after the pallet and stretch wrap changes.

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On cost, the core SKUs came in 12–15% under the benchmark they used from retail-comparable uline boxes. Not every SKU made the cut—high-coverage seasonal prints still favor digital on tiny lots, and heavy-duty wardrobe cartons need their margin protected. Payback for the changes landed around 14–18 months, depending on volume swing. The lesson? Lock the spec, keep Water-based Ink consistent, and treat pallets as part of the print job. That’s how you answer customers looking for value without eroding the build quality they expect from moving cartons.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

Fixing Digital Printing Color Consistency Issues
hybrid-printing-process-control-for-custom-stickers-153
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