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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Choosing a Book Printer: When to Go with Lightning Source vs. a Local Shop

Posted on Tuesday 7th of April 2026
  • There's No "Best" Printer, Only the Best Fit for Your Project
  • Scenario A: The Global Author or Publisher
    • You Need Distribution, Not Just Printing
  • Scenario B: The Controlled, Localized Run
    • You Know Exactly Where Every Copy is Going
  • Scenario C: The Testing & Iteration Phase
    • You're Not Sure What You Need Yet
  • How to Diagnose Your Own Project

There's No "Best" Printer, Only the Best Fit for Your Project

Look, I've reviewed thousands of book samples over the last four years—everything from author proofs to final warehouse stock. If there's one thing I've learned, it's this: asking "who's the best book printer?" is like asking "what's the best vehicle?" It depends entirely on where you're going and what you're hauling.

I still kick myself for a project back in 2022. We needed 500 custom workbooks for a corporate event. I went with our usual offset printer for the perceived quality and cost. The print quality was flawless (thankfully). But the shipping was a nightmare (ugh). Missed deadlines, damaged cartons—the whole thing cost us nearly $22,000 in reprints and express freight. The lesson? My criteria were wrong from the start.

So, let's skip the generic advice. Based on the specs I see daily and the post-mortems I conduct, your choice really boils down to three main scenarios.

Scenario A: The Global Author or Publisher

You Need Distribution, Not Just Printing

This is Lightning Source's (or rather, Ingram's) home turf. If your primary goal is to get your book into online retailers and physical bookstore distribution channels, the calculus changes completely.

See also Avery 94101 vs. 5163: Which Label Template Saves You More Time (and Money)?

Here's the thing: printing is just the first step. The real cost and hassle come from storage, fulfillment, and returns. Lightning Source, as part of Ingram Content Group, is essentially a logistics network that happens to print books. Their core advantage isn't necessarily the per-unit print cost (though for true print-on-demand, it's competitive). It's the integrated fulfillment.

According to Ingram's own distribution data, titles listed through their network are available to over 39,000 retailers globally. That's not a printing capability; it's a sales channel.

In this scenario, you're not just buying printing. You're buying access. The question isn't "Is the print quality 5% better?" It's "Can a bookstore in Australia order and receive my book next week?" For that, an integrated POD and distribution service is often the only practical answer. The setup is more involved, and you give up some control, but you gain a global sales footprint.

Scenario B: The Controlled, Localized Run

You Know Exactly Where Every Copy is Going

Now let's flip it. You're printing 1,000 copies of a memoir for family and friends. Or 5,000 textbooks for a specific university course. Or 250 high-end art books you plan to sell directly at events.

This is where a specialized local or regional book printer often wins. Why? Three reasons: tactile proofing, customization, and single-point logistics.

When I implemented our verification protocol for a premium corporate history book, we made three trips to the printer's facility. We checked paper stock under different lights, felt the embossing depth, and approved the foil stamping color. That hands-on access is invaluable (and often impossible with a fully remote, automated POD system). You're paying for control and collaboration.

Furthermore, local printers excel at non-standard formats. Need a weird trim size, a special binding, or unconventional materials? They can usually accommodate it more readily than a system built for mass-market efficiency. The cost per unit might be higher, but the total project cost for a known quantity can be lower when you factor in predictable, bulk shipping to one location.

Scenario C: The Testing & Iteration Phase

You're Not Sure What You Need Yet

This is the messy middle ground. Maybe you're a first-time author testing the waters. Or a publisher trying a new genre. Your volume is low and unpredictable. Here, your priority isn't cost or global reach—it's flexibility and low risk.

POD services like Lightning Source are built for this. The unit cost is higher, but there's no inventory risk. You can upload a revised file next month with zero sunk cost in old stock. It's the ultimate safety net.

But—and this is a big but—don't ignore hybrid approaches. In Q3 2024, we ran a test for a series of technical guides. We used a POD service for the initial, drip-fed demand across multiple countries. Once we identified a stable, regional demand pattern (about 200 copies per month in Europe), we switched to a short-run offset printer there for bulk shipments to a European fulfillment center. The blended approach saved roughly 18% on landed cost per book. The key was having clear data to trigger the switch.

How to Diagnose Your Own Project

So, which scenario are you in? Ask these questions in order:

  1. Where are my end readers? If the answer is "everywhere" or "I don't know," lean towards Scenario A/C. If it's "mostly here," lean B.
  2. What's my risk tolerance for unsold inventory? High tolerance (and capital) supports larger offset runs (B). Low tolerance points to POD (A/C).
  3. How unique are my physical specs? Standard paperback/hardcover? A/C is fine. Unusual binding, paper, or finishes? You probably need a specialist printer (B).

Real talk: most people start in Scenario C, then migrate to A or B as their business solidifies. The mistake is locking into a printer whose strengths don't match your evolving needs. I've seen publishers using a local offset shop for their Amazon orders, eating huge storage fees, and authors using global POD for a one-time local gift run, overpaying by 40%.

See also Quantum Computing Impact: Future of Encryption for Sticker Commerce and Print Operations

The best choice isn't permanent. It's the right fit for this book, this print run, right now. Plan your first run accordingly, but build in a review point for the next one. Your printer should serve your strategy, not define it.

See also A Practical Guide to Digital Label Production: A Brand Manager’s Process Flow

Note: Pricing, distribution networks, and service details for Lightning Source/Igram are based on public data as of January 2025. Always verify current terms and capabilities directly with service providers.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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