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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Label Printing Waste to Fall 25–35% in North America by 2027

Posted on Monday 27th of October 2025
  • Waste Minimization Strategies
  • Regional Market Dynamics
  • Hybrid and Multi-Process Systems
  • Transparency and Authenticity

Across North America, label converters are rewriting the rulebook on waste. Fewer changeovers, tighter color control, smarter prepress—these aren’t buzzwords; they’re practical levers. Analysts I trust expect overall waste in label operations to trend down by 25–35% by 2027, driven by hybrid print lines, LED-UV curing, and better planning data. As **printrunner** designers have observed across multiple projects, the breakthrough isn’t a single press or coating—it's the way teams connect design intent to process reality.

I approach this as a packaging designer first. Waste is a design problem as much as it is a production one: typography that avoids last-minute rewrites, ink sets that don’t force constant wash-ups, dielines that stay within the sweet spot of your tooling. The aesthetic and the economics have to meet in the middle. Here’s where it gets interesting: the most beautiful labels I’ve seen lately also generate less scrap.

The question I hear weekly—often whispered over a layout PDF—is simple and urgent: how do we produce less and express more? The following trends map the path.

Waste Minimization Strategies

Let me back up for a moment. In conventional changeovers, it’s not unusual to see 8–12% scrap when juggling plates, anilox, and inks. With better prepress recipes and job grouping, shops are nudging that toward 3–5% on repeat work. If you’ve ever wondered how to eliminate waste in label printing, start with sequencing: arrange runs by substrate and ink set, and lock design specs early so press-side edits don’t cascade into the bin. In self adhesive label printing, adhesive build and liner tension are part of that equation—stable inputs make every adjustment count.

Technology shapes the trend line. Digital Printing (inkjet and toner) covers short and variable runs, while Flexographic Printing—especially with Extended Color Gamut—cuts plate changes for mid-to-long runs. When ECG is dialed in and color is managed to ISO 12647 or a solid G7 target, ΔE drift stays predictable, and wash-ups shrink. I’m seeing LED-UV Printing replace mercury lamps on new lines; the shift can trim kWh per 1,000 labels by roughly 10–15% and stabilize cure on heat-sensitive films. For food or pharma, Low-Migration Ink and Water-based Ink remain in play—waste isn’t saved if compliance is compromised.

But there’s a catch: you only bank the savings if upstream decisions respect downstream constraints. Keep coating weights modest if you plan Spot UV or Soft-Touch plus aggressive die-cutting—the window for a clean snap-through narrows fast. Plan die geometries with your finisher; a 0.1–0.2 mm tweak in corner radii can be the difference between a smooth kiss-cut and a scrap pile. I’ve watched crews pull 2–4 percentage points of waste out just by aligning dielines, adhesives, and matrix draw with how the press actually breathes under speed.

Regional Market Dynamics

North America’s label market continues to expand at an estimated 3–4% CAGR, but the more meaningful shift is qualitative. Brand RFQs increasingly ask for end-to-end waste metrics and life-cycle data alongside price and lead time. I’m seeing targets like “25–30% scrap reduction from baseline by 2026” baked into contracts. Recycled face stocks—once at 10–12% usage in certain categories—are moving toward 18–20%, with tight print specs to preserve shelf impact on krafts and high-opacity whites.

Regulatory pressure nudges the trend too. In healthcare, DSCSA serialization and GS1 compliance have made Variable Data runs non-negotiable; across segments, 15–25% of label SKUs now include some form of serialized or promotional code. Converters that manage data streams well can stagger runs, avoid overproduction, and keep warehouse inventory lean. It’s not just a compliance story; it’s a waste story disguised as track-and-trace.

On the demand side, the digital buying journey is real. I watch search behavior as a proxy for trust—queries like “printrunner reviews” and direct nav to “printrunner com” tell me buyers vet suppliers long before a spec meeting. The converters who publish clear waste and energy metrics win the shortlist. Transparency is quietly becoming the first proof of craft.

See also Ecoenclose Strategy for Sustainable Impact Management: 15% Resource Savings
See also Visualizing Brand Story: How printrunner Conveys Information Through Design

Hybrid and Multi-Process Systems

Hybrid presses—flexo decks married to Inkjet Printing with inline Varnishing, Foil Stamping, and Die-Cutting—are moving from niche to normal. Several analysts expect hybrids to capture 30–40% of new label press installs in the next two to three years. The logic is practical: use flexo for stable brand colors, flood coats, and whites; add inkjet for variable data and versioning; finish inline to avoid secondary handling. When jobs straddle both, makeready shrinkage and overage buffers tend to drop because there’s less bouncing between islands of equipment.

Inspection is the quiet hero. Pairing hybrids with a camera-backed barcode label printing machine and inline verification has pushed read rates on GS1 barcodes and QR codes (ISO/IEC 18004) from the 97–99% band into the 99.5–99.9% band on well-controlled lines. That matters: fewer reprints, fewer returns, and proof that the label communicates under retail lighting and scuffed shrink-wrap. I also see LED-UV on these lines hitting 35–45% of new adoptions, tightening cure windows and lowering energy variability shift to shift.

Implementation isn’t plug-and-play. You’ll need a color pipeline that holds ΔE in the 2–3 range across processes and a changeover ritual that respects the hybrid’s “one brain, many hands” setup. Expect an 18–30 month payback period when scrap drops 2–4 points and throughput ticks up—assuming scheduling discipline. Skimp on operator training and you’ll chase ghosts; invest in ICC targets, anilox libraries, and a real maintenance cadence, and hybrids start performing like a single, coherent instrument.

Transparency and Authenticity

Consumers want to see the journey—what’s in the ink, why this substrate, how to dispose of it. That’s not a threat to design; it’s a design brief. Smart layouts reserve clean real estate for a QR code that unlocks origin, recycling guidance, and limited-edition storytelling without crowding the label. When variable data runs account for 15–25% of SKUs, your typographic system needs a calm backbone so the scan zones pass with margin in mixed retail lighting.

On the material side, low-migration systems and Food-Safe Ink aren’t just for pharma anymore—they earn trust across premium beverage and personal care. I often specify a restrained Spot UV to signal tactility while keeping coating weights compatible with kiss-cut precision; it’s amazing how a measured highlight can do the heavy lifting for shelf appeal. Authenticity doesn’t mean stripped bare; it means every finish choice has a reason the consumer can feel.

Fast forward six months: the brands that publish waste, energy, and recyclability alongside design awards start to build a different kind of equity. That’s where I see this heading. The creative promise and the operational reality can finally align—fewer misprints, fewer make-ready sheets, and stronger stories in the shopper’s hand. And yes, the projects I’ve seen with printrunner point to the same conclusion: clarity in design choices makes waste go quiet.

See also Inside Ninja Transfer DTF Printing Strategy: The Wisdom of Choosing Disney DTF Prints Over Traditional Printing Problems
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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

A Practical Guide to Choosing and Branding Moving Boxes with Flexographic Printing
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