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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

How Three Brands Used Staples Printing to Reinvent Packaging Design

Posted on Wednesday 12th of August 2026
  • The Psychology of Visual Hierarchy
  • Choosing the Right Printing Technology
  • Successful Redesign Examples

The brief was simple: a food brand wanted packaging that would hold its own next to bigger competitors without shouting. The solution was anything but simple. It meant revisiting every visual cue, testing posters at actual shelf scale, and rethinking how a package would be produced in short runs.

At staples printing, the conversation usually starts with a proof that is cheaper than a full box. That tends to surprise designers. But a 16 x 20 poster printing proof exposes hierarchy problems faster than a screen ever will. It forces you to see the design from the shopper's distance, not from a monitor.

What follows are lessons from actual brand refreshes, plus the production details that made them work.

The Psychology of Visual Hierarchy

The old package placed the logo first, the product name second, and a long ingredient story third. Shoppers could absorb only the logo. The redesign changed the order: one clear benefit statement, a small supporting image, and a lot of empty space. It felt risky, but the half-second test in a real aisle often overrides what executives like in a boardroom.

Visual hierarchy sounds subjective until you see it on paper. For a skincare client, a poster printing 18x24 proof at shelf scale exposed a line break that would have been invisible on a 14-inch laptop. We moved one word and the entire focal point shifted. In focus groups, the reaction changed from "cute" to "trustworthy." That wasn't a color change or a font change; it was simply a hierarchy fix.

There is a trade-off. Bolder typography can squeeze a layout, and a tiny logo can make a brand team nervous. A printed proof helps everyone argue about the right thing. It's not a replacement for design thinking; it's a reality check.

Choosing the Right Printing Technology

Most brand owners assume offset gives better color. For long runs, sure. But packaging is moving to shorter runs, seasonal tests, and regional variations. Digital printing allows a label to change for a one-time promotion without a plate charge. When brand owners compare actual printing cost staples by adding setup time, plate costs, and overs, digital often wins at quantities under 2,000 units.

Choosing the right staples printing paper for a seasonal packaging test is a design decision, not a last-minute detail. Options range from a glossy 14-pt CCNB to a textured 12-pt stock. Each one changes ink absorption, dot gain, and perceived quality. A coating that looks white on a monitor can turn slightly blue in the sheet. The only way to know is to run a physical proof on the actual substrate.

Digital is not the right answer for every project. If you need 100,000 identical folding cartons with a very specific Pantone orange, offset still gives steadier color across the whole run. The decision isn't about which technology is fundamentally superior; it's about where your design sits on the speed-to-volume curve. There is no single "best" choice.

See also How Does Hybrid Printing Achieve Brand-Consistent Custom Boxes at Scale?
See also When We Said 'No' to a $28,000 Order — and Why That Saved Our Relationship

A practical calibration point: a 200-sheet proof at 18x24 is enough to check color and typography, and at staples printing it is usually included in the pre-production process. In my experience, that proof catches 80% of the issues before the main run. It doesn't catch everything, but it prevents the expensive mistakes.

Successful Redesign Examples

One beverage startup came to us with a box that looked like every other coconut water product. The old packaging used six vibrant colors, a busy photo, and a crowded sidebar. The redesign cut it to two colors and relied on a strong silhouette. We printed 16 x 20 poster proofs first, not the actual cartons, because it was cheaper and faster. Within a week, the team settled on one direction.

Another client, a cosmetics brand, wanted to test three paper stocks for a limited edition. We set up short digital runs on each. The 100# gloss cover looked crisp but clinical; the uncoated 80# cover felt soft and artisanal. They chose the uncoated stock even though it was harder on the press, because the unboxing comments from retail staff were overwhelmingly positive.

Designers routinely ask how much does poster printing cost when planning these tests. At production volume, a poster proof is a rounding error: usually $1 to $3 per sheet, depending on size and stock. But the cost of shipping a wrong packaging design into the market is far higher. The proof is cheap insurance.

Not every redesign succeeded. A food brand pushed a heavily textured stock with spot UV and then watched it fail lamination tests. We had to back off and use a lighter texture. The lesson? Push the aesthetic, but always verify that the finishing line can handle it. In the end, the packaging earned a small industry mention, and the brand's repeat order rate climbed from 31% to 49% within six months. We've seen this pattern again and again at staples printing: visual hierarchy matters, technology choices matter, and short-run digital proofing keeps the conversation focused on what shoppers actually see.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

OnlineLabels: Practical Design Strategies for Custom Food Labels
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