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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

I Specified Glass Bottles for a Fireplace Project and Learned a Hard Lesson About Foil Board

Posted on Monday 1st of June 2026
  • The Project That Started It All
  • The First Red Flag (That I Missed)
  • The Actual Disaster
  • The Real Cost of the Mistake
  • The Lesson: It's Not About the Glass Bottles
  • How I've Fixed My Process
  • The Honest Truth

The Project That Started It All

Back in September 2022, I was handling a custom gas fireplace order for a customer in Belleville. It was a straightforward job—a new linear fireplace, gas logs, the works. The homeowner wanted a clean, modern look with fire glass. But they were specific: they wanted glass bottles as the primary filler, not the standard crushed reflective glass.

I thought, 'Okay, easy enough. I've ordered glass bottles for a few projects before.' The supplier had a nice selection of recycled glass bottles. The color matched the client's palette. I sent the spec sheet to the client, they approved it, and I processed the order. Everything looked fine on my screen.

Honestly, I was pretty proud of myself for nailing the aesthetic vision. The client was happy. I was happy. What could go wrong?

Well... a lot.

The First Red Flag (That I Missed)

The shipment arrived about two weeks later. The glass bottles looked great. They were the right color, the right size for a decorative layer. But as we unpacked them, our installation tech pointed something out.

'What's the substrate?' he asked.

'Standard foil board,' I said. It's what we always use under the burner pan. It reflects heat and provides a stable base.

'Right,' he said, 'but the spec sheet for this fireplace says the minimum clearance to the foil board is specific. And the bottles... they're not sitting flat. They're round. They're going to roll.'

I brushed it off. 'It's decorative. The logs will hold them in place.'

That was my first mistake. I should have listened to the guy who actually installs these things.

The Actual Disaster

We finished the install. The fireplace looked stunning. The glass bottles caught the light in a way that crushed glass just doesn't. The client was thrilled. They took photos, posted them online. Everything was great for about three days.

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Then the call came.

'The glass bottles are cracking,' the client said. 'And some of them are popping. Is that normal?'

It's not normal. Not for a properly installed gas fireplace.

I went out to the site. What I saw was a mess. The heat from the burner had caused the glass bottles to expand unevenly. Some had cracked. A few had actually shattered, sending tiny shards of glass across the hearth. The foil board underneath was discolored—not burned, but clearly stressed above its rated temperature.

We had to shut down the fireplace. The client was understandably upset. And I had to figure out how to fix it.

The Real Cost of the Mistake

The fix wasn't cheap. We had to:

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  • Remove all the glass bottles (2 hours of labor)
  • Replace the damaged foil board ($45 for the board, not including the special fire-rated adhesive)
  • Order a different decorative medium—this time, fire-rated ceramic balls ($320)
  • Pay for a re-installation and final inspection (another 3 hours of labor)

Total cost out of my department's budget: $890. Plus a one-week delay and a very unhappy client. The worst part? The client was considering posting a negative review online. I had to do some serious relationship repair work.

One of my biggest regrets: not verifying the thermal rating of the glass bottles against the fireplace's BTU output. If I'd checked the manufacturer's specification sheet instead of just looking at the color chart, I'd have seen the warning about using recycled glass bottles in high-BTU applications.

The Lesson: It's Not About the Glass Bottles

People think the issue was the glass bottles. Actually, the issue was the foil board. Let me explain.

This was true 10 years ago when we used a more heat-resistant substrate. Today, a lot of modern fireplaces use a specific type of foil board that's rated for a certain temperature range. If you put a decorative medium on top that traps heat—like round glass bottles—the surface temperature of the foil board can exceed its rating.

The assumption is that 'fireplace grade' means anything placed in the fireplace is safe. The reality is that the decorative medium and the structural components (including the foil board) have to be paired correctly. The manufacturer's spec sheet usually tells you the maximum BTU for different decorative media. I didn't read it closely enough.

The 'glass bottles are always safe' thinking comes from an era when fireplaces had lower BTU outputs and different substrate materials. That's changed.

What I learned:

  • Always check the fireplace's BTU output against the decorative medium's recommended max
  • Verify the foil board's temperature rating—it's not all the same
  • Round objects (like bottles) create air pockets that can trap heat differently than flat or crushed media
  • When in doubt, use the manufacturer's recommended media list

How I've Fixed My Process

After the third 'incident' in Q1 2023 (a similar issue with a different decorative medium), I created a pre-check list for our team. It's now a mandatory step before any custom gas fireplace order:

  1. Confirm the burner's BTU output
  2. Verify the decorative medium's thermal rating with the supplier
  3. Check the manufacturer's spec sheet for substrate (foil board) limits
  4. Call the manufacturer if there's a conflict—don't guess

We've caught 47 potential errors using this checklist in the past 18 months. That's 47 problems prevented, and probably a lot more than $890 in savings.

The Honest Truth

I recommend glass bottles for low-BTU fireplaces (under 30,000 BTU) or for decorative-only setups. But if you're dealing with a high-BTU unit—like many of the modern linear fireplaces we install—you might want to consider alternatives. Ceramic balls, river stones, or even standard fire glass are safer bets.

This solution works for 80% of cases. Here's how to know if you're in the other 20%: if the fireplace is your primary heat source, has a high BTU output, or uses a thin foil board substrate, stick with the manufacturer's approved media list.

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Empty promises don't fix a cracked fireplace. Honest limitations prevent the next one.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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