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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Industry Experts Weigh In on the Future of Digital Printing in Labels & Packaging

Posted on Wednesday 20th of May 2026
  • Technology Adoption Rates
  • Hybrid and Multi-Process Systems
  • E-commerce Impact on Packaging
  • Carbon Footprint Reduction

The packaging printing industry is at an inflection point. Digital adoption is accelerating, sustainability is non-negotiable, and customer expectations are higher than ever. In my day-to-day as a press engineer, I see short runs, variable data, and tighter quality tolerances becoming standard rather than special requests. And yes, the big question isn’t whether to go digital—it’s how fast you can do it without breaking your process.

Here’s where it gets interesting: brands that once ordered thousands of identical labels now need dozens of micro-batches—each with different SKUs, promotions, or regional demands. onlinelabels is a name that pops up often in these conversations, especially when teams look for practical ways to execute variable jobs without losing control of color and registration across different Labelstock and films.

As more converters test Digital Printing alongside Flexographic Printing and UV-LED Printing, the winners aren’t those who chase the flashiest tech. It’s the shops that set realistic ΔE targets, write solid process recipes, and accept that not every job belongs on the same press. This isn’t a perfect journey. It’s messy, iterative, and full of minor course corrections—and that’s okay.

Technology Adoption Rates

In labels, digital installations are no longer outliers. Across regions, I’m seeing roughly 30–40% of converters running at least one digital line, with adoption uneven by market segment. Personal care and e‑commerce labels skew higher; industrial and regulated segments move slower due to compliance and durability needs. Typical color targets land around ΔE 2–3 for brand-critical elements, while background tints can tolerate ΔE 4–5 if communicated and approved. Those ranges may sound tight, but they’re achievable with a G7-calibrated workflow and disciplined substrate pairing.

Growth often starts in work types that reward flexibility: seasonal promos, short-run test batches, or apparel labeling. Clothing care labels are a practical entry point—small text, variable compositions, and frequent revisions. I’ve seen converters push variable data in the 20–30% job mix without stressing the schedule, provided they lock down font rendering and resin/ribbon choices when Thermal Transfer comes into play for secondary marking. A caveat: complex embellishments like Foil Stamping still belong on conventional lines unless the digital system supports compatible finishing at speed.

Consumer behavior feeds this curve. Search queries like “where to get address labels printed” translate into smaller, more frequent orders. Based on insights from onlinelabels’ work with 50+ packaging brands, the sweet spot tends to be Short-Run and On-Demand batches with rapid art changes and tight timelines. Not all shops can pivot overnight; the ones that do usually have clear guardrails—defined file prep standards, substrate qualification lists, and an agreed path when Offset Printing or Flexographic Printing makes more sense.

See also Beauty & Personal Care Case Study: Ayu & Co.’s Digital Printing Transition
See also Offset Printing vs Digital Printing: A Technical Comparison for Business Cards and Short‑Run Cartons

Hybrid and Multi-Process Systems

Hybrid setups—marrying Flexographic Printing for high-coverage or spot colors with an inline Digital Printing unit for variable data and micro versions—are becoming the pragmatic choice. On presses I’ve worked with, operators report changeovers of 30–45 minutes, down from 60–90, when the variable elements move to digital and plates stay put for static brand colors. The trick is registration at speed and ink/coating compatibility. UV Ink or UV-LED Ink often serves the static layers well, while the digital unit handles serials, DataMatrix codes, and SKU text. Keep an eye on drying/curing energy to avoid substrate curl on PE/PP/PET Film.

Variable data is the hinge. I’ve seen teams lean on onlinelabels maestro to generate serialized QR (ISO/IEC 18004) and GS1-compliant barcodes, then feed those to the digital engine with controlled font and knockout rules. When the static design is qualified to ISO 12647 and the digital side follows a known ICC route, FPY% tends to land in the 85–92% range for balanced runs. That’s good enough to keep schedules sane. Still, this isn’t a cure-all—thin fonts over textured substrates remain finicky, and low-migration requirements for Food & Beverage may push you back to Food-Safe Ink systems and more careful curing.

There’s a catch: hybrid lines thrive on stable recipes. If you chase too many special effects—Spot UV, Embossing, or tricky Lamination—expect to slow down and babysit the line. In my notes, the smoother hybrid days are the ones with restrained finishes and properly profiled Labelstock. Push the envelope and you’ll spend more time tuning than printing.

E-commerce Impact on Packaging

E‑commerce compresses timelines and expands SKU counts. A single brand might field dozens of small runs per month, each with different messaging or data. Address labels are the classic example—fast-turn personalization, clean typography, and a demand curve that spikes with promotions. I’ve seen questions like “where to get address labels printed” become order flows within hours. For practical routing, some teams rely on onlinelabels sanford distribution to keep Labelstock variety close to the art desk, so substrate swaps don’t derail the day.

Operationally, On-Demand and Seasonal runs now account for roughly 25–35% of job volume at many shops serving online sellers. Inventory carrying load shifts as well—less preprinted stock, more blank Labelstock and qualified films. Waste Rate tends to improve by a few points when job batching and preflight rules are enforced, but it can spike when artwork arrives without bleed or with unprintable spot colors. The fix isn’t magic: a disciplined prepress checklist, a known set of press profiles, and a short list of approved substrates.

Industrial niches haven’t vanished. Axis labels for equipment calibration, safety tags, and technical stickers still move, but their demand is uneven and often tied to maintenance cycles. They benefit from hybrid workflows—static hazard colors on flexo, variable serials and calibration marks on digital—to keep registration clean and compliance intact.

See also Dart Container Orders: 5 Questions I Wish I'd Asked Before My First $2,000 Mistake

Carbon Footprint Reduction

Sustainability pressure is real, and not just for marketing. Shops now track kWh/pack and CO₂/pack to justify technology choices. LED-UV Printing, for example, can show 10–20% lower energy per pack versus some conventional curing setups, depending on speed and coverage. Water-based Ink remains attractive for certain applications, but you must respect drying curves and substrate limitations. EB Ink is gaining attention for low migration, yet capital and training requirements mean it’s not a drop‑in switch for most teams.

Material choices matter as much as presses. FSC or PEFC-certified paper-based Labelstock helps the story; Glassine liners with credible recycling routes add another lever. In one Northern Europe converter I visited, moving a portion of short-run labels to digital while keeping heavy-coverage jobs on Flexographic Printing yielded a measured CO₂/pack improvement in the single-digit percent range. That may sound modest, but combined with efficient curing and smarter die‑cut planning, the cumulative effect becomes meaningful over a quarter.

See also The Real Cost of Choosing the Cheapest Printer: An Office Admin's Hard Lesson

But there’s no free lunch. Eco-design wins can strain budgets, and not every substrate behaves the same under UV-LED lamps. If you chase carbon alone, you may end up trading off throughput or color consistency. The balanced path is to set targets per job type, quantify energy and color metrics, and accept that some projects still belong on conventional presses.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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