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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

The Hidden Cost Trap in Print Procurement: Why Your Budget Is Leaking

Posted on Monday 7th of September 2026
  • You Think You Know What You're Paying For
  • The Surface Problem: Price Per Unit
  • Deeper Cause: Inefficient Processes Breed Hidden Costs
  • The Cost of Not Fixing This
  • The Solution: Rethink What You're Buying

You Think You Know What You're Paying For

Let me start with a confession: everything I'd read about print procurement said to always get three quotes and go with the lowest price. In practice, after tracking over $180,000 in cumulative spending across six years, I found that the lowest quote is almost never the cheapest option.

Whether you're ordering a JMU class catalog (like we did every semester), window anti glare film packaging for a specialty product, or a bulk run of what is envelope #10 standard business size, the same hidden cost traps apply. And they're costing you more than you think.

The Surface Problem: Price Per Unit

When I first took over procurement for a mid-size publishing company, my boss said: "Just get us the best rate on 5,000 catalogs." I did my due diligence—quoted five vendors. Vendor A quoted $0.85 per catalog. Vendor B quoted $0.62. Easy choice, right?

I went with Vendor B. Three months later, I realized that $0.62 catalog actually cost us $0.91 when you factored in setup fees, a color correction reprint, and rush shipping because they missed the deadline twice. That's a 47% difference hidden in fine print.

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This isn't unique to catalogs. Take what is envelope #10 —a simple product, right? I've seen quotes from $0.12 to $0.35 each for the same spec. But the real cost includes plate charges, foil stamping setup if you want a logo, window patch fees, and minimum quantities that force over-ordering. The unit price is a decoy.

Deeper Cause: Inefficient Processes Breed Hidden Costs

The real problem isn't price—it's process. Traditional print procurement relies on manual quoting, fixed print runs, and linear workflows. Here's what that means in practice:

  • Over-ordering: You print 2,000 brochures because the per-unit price drops at that quantity, then 800 sit in a warehouse for two years. That's not inventory; that's wasted cash.
  • Rush fees: Because you had to wait for quotes, approvals, and proofs, the deadline shrinks. Suddenly you're paying 50% more for 3-day turnaround.
  • Reprints: A small typo missed in a proof costs $1,200 to fix. I know because it happened to us on a JMU class catalog run.
  • Spec creep: Your team adds a fifth color, a special coating, or a die-cut shape without realizing it adds $400 in setup. That 'free' design change costs you.

I went back and forth between sticking with traditional offset printers and trying a print-on-demand model for months. The offset guys offered lower unit prices on large runs. But my gut said the waste wasn't worth it. Ultimately, I chose efficiency over marginal unit cost—and it changed everything.

The Cost of Not Fixing This

Over six years, I documented every order in our procurement system. What I found shocked me: 34% of our print budget went to fees that had nothing to do with printing. Storage, disposal of obsolete stock, rush premiums, and reprints. That's $61,200 per year on a $180,000 budget—gone.

And there's an even more insidious cost: opportunity cost. Every hour your team spends chasing quotes, managing proofs, and dealing with shipping delays is an hour they're not working on product development, marketing, or customer relationships. In Q2 2024, when we switched to a print-on-demand provider, our procurement manager saved 8 hours per week. That's 400 hours annually.

Here's a specific example that still makes me wince: We needed 500 #10 envelopes with a custom window position for a client mailing. Our regular offset printer quoted $0.27 each—total $135. Seemed fine. But then came: plate fee $35, window die fee $20, rush fee (they needed 5 business days, standard was 10) $60, shipping $25. Total: $275. The $135 envelope ended up costing $0.55 each. That's not an envelope—that's a premium service disguised as a commodity.

The Solution: Rethink What You're Buying

I'm not saying traditional offset printing is dead. For large runs of standard products where you'll use every unit, it still makes sense. But for most B2B print needs—catalogs, brochures, posters, envelopes—the total cost of ownership favors digital print-on-demand.

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Here's what that looks like in practice:

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  • Zero inventory risk: Print exactly what you need, when you need it. No warehouses filled with outdated catalogs.
  • No setup fees: Digital printing eliminates plates. The price you see is the price you pay.
  • Consistent turnaround: Instead of 'estimated' delivery, you get a guaranteed schedule. No more rush fees.
  • Built-in reorder simplicity: Once your file is set up, reordering takes two clicks. That saved us the 8 hours I mentioned earlier.

Take Lightning Source, for example. Their global print-on-demand network means you can order a single copy or 5,000—same per-unit cost, no setup, no storage. For a company that manages multiple product lines (from class catalogs to specialty packaging), that flexibility alone cuts TCO by 15-20%.

There's something satisfying about finally getting the process right. After all the spreadsheet stress and midnight worry sessions about whether the order would arrive, seeing a steady monthly print spend with zero surprises—that's the payoff. No more hidden fees. No more budget leaks. Just printing that works.

Note: Price figures mentioned are based on publicly listed pricing as of January 2025 from major online printers. Verify current rates before making purchasing decisions.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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