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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Choosing Between Corrugated Board Options for Moving Boxes

Posted on Tuesday 24th of March 2026
  • Application Suitability Assessment
  • Substrate Compatibility
  • Sustainability Advantages
  • Implementation Planning

Many movers pick a single carton style for everything and pay for it in damage, wasted void fill, and back strain. Based on field notes from **upsstore** teams working with households and small businesses, the smarter route is to match the corrugated format to the task. Two categories tend to raise questions: wardrobe boxes with a support bar, and partitioned boxes for fragile items.

Here’s where it gets interesting: both formats look like “more cardboard,” yet each prevents a different kind of waste. The wardrobe style preserves garment shape and handling time. The partitioned glassware style controls collision and vibration. In both cases, right-sizing the pack often outperforms a “one big box and lots of paper” approach.

My lens is sustainability and practicality. We’ll compare where each box shines, what the board needs to do, and how to plan a mix that avoids excess material while protecting the things that matter. The goal isn’t perfection; it’s fewer compromises at a fair cost and footprint.

Application Suitability Assessment

Start with use case. Wardrobe-style cartons—specifically wardrobe moving boxes with bar—excel when hanging garments must stay crease-free from closet to closet. The integrated bar keeps suits and dresses suspended, so there’s no stuffing, folding, or post-move steaming. For a half-day local move, the bar is about speed and shape. For longer hauls, it’s also about airflow and reduced compression. In contrast, a partitioned fragile pack is the go-to for cups, stemware, and small ceramics where radial shock and surface contact are the main risks.

Think in loads and forces. Typical garment bars are designed for roughly 9–14 kg (20–30 lb). Overloading past that range risks deflection or failure during lift. If you’re moving heavy coats in winter, stay on the lower end and use two boxes rather than one overloaded unit. On the fragile side, well-designed partitions channel impacts into the corrugated cells, which can cut incidental breakage by roughly 20–40% versus a generic box with loose fill, based on small-mover surveys and insurer feedback. Not every situation tracks these numbers precisely, but the direction holds.

There’s a trade-off. Wardrobe cartons occupy volume in the truck that some people would rather allocate to stacked goods. Partitioned glass packs take assembly time. If you value speed at load-in and near-zero damage on fragile pieces, these formats usually earn their keep.

See also How Indie European Brands Transformed Their Labels with Digital Printing

Substrate Compatibility

Corrugated board does the heavy lifting. For hanging wardrobes, double-wall B/C flute is common because it balances column strength with panel rigidity; it resists side crush when the bar concentrates load near the top edges. For fragile-cell cartons, a single-wall C or B flute outer with a die-cut kraft insert usually works well, since the partition design—not just wall thickness—absorbs and redirects energy. If humidity is a concern, ask for moisture-resistant liner options that still meet curbside recycling guidance.

Printing and labeling matter for handling. Most moving cartons are run with water-based flexographic printing on kraft liners—clear orientation icons, up arrows, and handling cues reduce mishandling. If you’re numbering rooms or SKUs, low-migration water-based inks and large, high-contrast fields help drivers and helpers sort quickly without solvent odor. It’s not a luxury; it’s fewer mistakes at load-in and unload.

For glassware moving boxes, look for insert sets that lock without glue and tolerate minor dimensional variations in the outer. E-flute partitions are tidy but may be less forgiving; chip partitions can flex around irregular items but add weight. None of these choices is perfect. The right call depends on item mix, route time, and how many hands handle the box.

Sustainability Advantages

Two levers drive environmental outcomes here: right-sizing and reuse. Right-sizing tends to cut void fill use by roughly 20–40% when people stop relying on oversized generic cartons. That’s not a universal number—item mix and packing habits vary—but it’s a useful planning range. Reuse matters as well: wardrobe cartons with a sturdy bar often see 3–5 moves if stored dry, which spreads the footprint across multiple cycles.

On materials and printing, ask about recycled content and certifications. Many corrugated liners run at 35–60% recycled fiber and can be sourced under FSC or PEFC chain-of-custody. Water-based flexo inks typically carry 70–90% lower VOCs than comparable solvent systems, supporting SGP-style environmental goals. If you track emissions, a right-sized fragile pack can avoid 50–150 g CO₂ per pack versus a larger box plus extra dunnage, based on converter LCIs. These are directional, not absolutes—actual savings hinge on truck fill, route distance, and dunnage type.

Implementation Planning

Plan by room and risk, not just by count. A practical mix for a two-bedroom move might include two wardrobe cartons with bars for hanging items, two partitioned fragile kits for glass and cups, plus a stack of medium and small cartons for dense goods. Label with big room codes printed or marked in high-contrast ink; water-based markers align with the overall curbside-friendly approach.

See also Understanding Labelstock Properties for Better Sticker Design
See also 40–50% of Brands in Asia Will Adopt Paperboard by 2026

Here’s a quick Q&A many people raise: “does goodwill take moving boxes?” Policies vary by location and condition. Some donation centers accept clean, un-crushed cartons for internal use; others avoid them due to storage constraints. Call ahead. If your schedule is tight, check local store finders and upsstore hours for packing supply runs and recycling guidance—searching “upsstore near me” is a practical first step. Staff can usually advise on local recycling or reuse options if donation isn’t feasible.

Two final notes from the field. First, wardrobe bars can misalign if assembled in a rush—take the extra minute to seat the bar fully in the side brackets. Second, partitions save glass, but they take time to fold; set up a small assembly area and batch-build. If you prefer in-person advice, upsstore teams see these trade-offs every day and can help pick a balanced kit for your route, weather, and crew.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

Is Hybrid Printing the Future of Packaging in Asia?
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