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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Solving Label Durability and Water-Exposure Issues: A Brand Manager’s Troubleshooting Guide

Posted on Thursday 4th of December 2025
  • Common Quality Issues
  • Critical Process Parameters
  • Color Accuracy and Consistency

Achieving consistent label performance across changing climates and substrates is where brand aspirations meet production reality. In tropical Asia, humidity swings, cold-chain condensation, and wet handling can turn a beautiful label into a flagging edge or smeared color. As a brand manager, you feel it first—returns, QA escalations, and that uneasy call from sales after a rainy weekend promotion. Insights from **printrunner** projects echo the same message: durability starts with the right questions, not the loudest embellishments.

Here’s where it gets interesting. The labels that look great in a dry office mockup sometimes stumble when they hit ice baths, monsoon logistics, or high-speed filling lines. Beverage and personal care teams often ask for water label printing fixes after seasonal spikes in failures. I’ve been there—trying to defend gorgeous finishes while production teams ask for simpler, tougher specs. The tension is real.

Let me back up for a moment. This guide isn’t a silver bullet. It’s a practical troubleshooting path for durable label printing and wet-use scenarios—flexo, digital, or hybrid. We’ll frame the problems like a brand team does: by shelf impact, consistency, and cost-to-serve. And yes, we’ll answer the awkward question: how much does label printing cost—at least in ranges you can use to anchor a budget conversation.

Common Quality Issues

Three failures show up again and again in wet and high-humidity environments: edge lift, ink washout, and scuffing. Edge lift usually traces back to adhesive mismatch or low surface energy on films (PE/PP). Ink washout is the villain when condensation forms on bottles or pouches—water label printing jobs suffer if inks or varnishes aren’t crosslinked properly. Scuffing? Often a combination of inadequate overprint varnish and abrasive transit. On filling lines running 30–60 m/min, even a 3–6% defect rate can feel like a runaway train when you have a multi-SKU launch.

Color drift is the sneaky issue that becomes a brand problem before it’s a production problem. Paper labelstock absorbs differently than PET film, and pigments respond to UV dosage variances; the result is ΔE creeping beyond 3 under real-world lighting. Registration drift shows up in hybrid lines when tension control is loose. A fix may be as simple as switching to UV-LED inks for faster cure and consistent energy delivery, or as involved as specifying lamination or a tougher varnish layer for durable label printing across distribution climates.

See also Digital Printing for Brand Packaging: What Works

But there’s a catch: preventing these issues isn’t just a technical exercise—it affects margin. Rework and relabeling can add 10–15% to campaign costs if caught late. That’s why the first pass yield (FPY) matters; in well-controlled lines, 85–95% FPY is achievable, but not guaranteed. Spend the time to audit adhesion, cure, and tension; it’s less glamorous than a foil accent, yet it keeps your brand out of trouble when the weather turns.

See also From Prototype to Production: The Manufacturing Process of sticker giant

Critical Process Parameters

Start with the substrate and adhesive system. Paper labelstock is forgiving but vulnerable to water; films (PE/PP/PET) with the right adhesive offer better wet grip. Target a surface energy above 38 dynes on films, and consider corona treatment if readings are low. For UV-LED inks, aim for a dose in the 600–1200 mJ/cm² range, checking cure with a thumb-twist test and solvent rub. Keep web tension stable—often 20–40 N works for thin films—to limit registration drift. In humid plants (60–90% RH is common in Southeast Asia), store labels in controlled rooms and give them 12–24 hours to equilibrate before running.

If you print flexo, your anilox volume matters: think 2.5–4.0 cm³/m² for solids, lower for fine type. Varnish or lamination decisions should be made against actual abuse cases—ice baths, wet wiping, and abrasive transport. For water label printing in beverages, a tougher topcoat can be the quiet hero that keeps ink intact through condensation cycles. Hybrid lines benefit from tight handshakes between digital and flexo—calibrate handover targets and hold the web clean to avoid micro-slip that masquerades as registration drift.

How much does label printing cost? It depends on run length, materials, finishing, and compliance. As a planning range: paper labels can land around $8–20 per 1,000; film labels (PE/PP/PET) typically sit in the $20–60 per 1,000 bracket. Add-ons like Spot UV might add $5–12 per 1,000; Foil Stamping can add $10–25 per 1,000. Short-Run and Variable Data push unit cost up; Long-Run stabilizes it. If you’re budgeting across seasonal promos, keep an eye out for a printrunner promotion code or a printrunner coupon code to offset setup on small batches—useful, but don’t build a core business case on discounts alone.

Color Accuracy and Consistency

Brands live and die by consistent color. If you run mixed substrates, build your process around standards like ISO 12647 and G7. Set realistic color targets: ΔE of 1–2 for hero brand colors, 2–3 for secondary tones in production. LED-UV curing stabilizes color across shifts because energy output stays steady. Lock down lighting conditions for measurement and use spectrophotometers that match your workflow (remember to verify against ISO/IEC 18004 when QR and DataMatrix are part of the label system).

Here’s the turning point: wet environments can trick your eye. Condensation changes perceived gloss and hue, so measure under standardized conditions and include post-condensation checks. Create a color approval loop with press-side drawdowns and signed-off LAB targets. I’ve seen teams skip the beverage bath test and then wonder why the shelf looks off under chilled light. Bake that test into the spec—five-minute immersion, wipe, remeasure.

See also Papermart story: Touching moments of luxury packaging innovation

Implementation isn’t perfect. Training operators to hold cure and tension, and teaching brand teams to accept a practical ΔE window, takes time. In one regional rollout, FPY nudged up from 80–85% into the 88–92% band after we tightened cure checks and standardized film suppliers. Not magic—just steady control and honest trade-offs. If you need a sanity check on specification choices or supplier consistency, circle back to your partner; teams at **printrunner** have found that documenting a single-page ‘color + durability’ checklist keeps creative ambition aligned with production reality.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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