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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Why Choosing the Cheapest Design Fix Almost Cost Us an Award-Winning Project

Posted on Wednesday 3rd of June 2026
  • The Call That Changed My Friday Night
  • The Temptation of the Quick Fix
  • The Surprise That Almost Broke Us
  • The Outcome and the Lesson

The Call That Changed My Friday Night

It was 5:47 PM on a Thursday in March 2024. I was packing up to leave when my phone rang—a client partner on the line, voice tight. They had just received the final design package for a flagship office-to-residential conversion project in midtown Manhattan. The developer's board meeting was scheduled for Monday at 9 AM. The problem? The interior renderings were wrong. The color palette? Off. The space planning? It didn't align with the structural constraints we'd flagged three weeks prior.

"We need this fixed by Sunday noon," she said. "Or the entire project goes back to bidding."

Normal turnaround for a redesign of this scale? Two to three weeks. I had 65 hours.

In my role coordinating rush deliverables for institutional clients, I've handled over 200 emergency requests in five years—everything from same-day signage corrections to last-minute regulatory compliance addendums. But this was different. The project was a $47 million conversion of a 1980s office tower into 120 luxury residential units. The developer had already invested $800,000 in design fees. Missing this deadline meant a $50,000 penalty clause in their contract with the anchor investor—and likely, losing the entire engagement.

The Temptation of the Quick Fix

My first instinct was to call our usual go-to vendor for fast-turnaround rendering work. They'd pulled us out of tight spots before—reliable, but expensive. Their estimate for a weekend rush job: $4,500. Then a junior team member suggested a new freelancer who'd been pitching us for weeks. "He says he can do it in 48 hours for $1,200," she said.

I almost said yes. The price difference was staggering. Our budget for this phase was already stretched, and saving $3,300 felt like responsible management. I'd seen my share of budget overruns, and this seemed like a smart call.

But something nagged at me. A year earlier, in February 2023, we'd tried a discount vendor for a rush hospitality project in Chicago. They delivered early—but the color accuracy was off. Delta E values exceeded 5 on some interior finishes, meaning the difference was visible to anyone, not just trained observers. The client's designer noticed immediately. We had to redo the entire set in 36 hours, paying $800 in extra rush fees and losing the $12,000 project margin. Looking back, I should have trusted my instinct to go with the proven partner. At the time, the savings seemed too good to ignore.

So this time, I hesitated. I asked for samples. I checked references. I called two of the freelancer's past clients. One said: "Great for simple work. But complex color matching? I'd be nervous."

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That was enough. I told the team we were going with our regular vendor. It wasn't the cheapest option. But in my experience, the lowest quote has cost us more in 60% of cases when deadlines are tight and quality is non-negotiable.

The Surprise That Almost Broke Us

Here's where things got interesting. The regular vendor accepted the rush job—but their lead renderer called in sick Saturday morning. They offered a substitute, someone I'd never worked with. I still kick myself for not insisting on an escalation the moment I heard that name. If I'd pushed for the senior supervisor, we might have avoided what came next.

The substitute delivered the revised renderings by Saturday evening. On a cursory review, they looked good. But when our senior architect opened the files on a calibrated monitor, she spotted it: the lighting in the residential units was designed for a north-facing exposure. This building's windows faced south. The color temperature was wrong. The shadows were off. The whole atmosphere would read differently when built.

Never expected the problem to be lighting geometry. Turns out, even experienced renderers can overlook site-specific conditions when working at speed.

We had 14 hours until the deadline. The vendor's senior team mobilized. I paid an additional $1,200 in emergency overtime, bringing the total for this job to $5,700. On top of the $4,500 base, plus the $1,200 correction fee. The project manager asked if I wanted to push back the deadline. I said no—the board meeting couldn't move. So we worked through the night.

By 10 AM Sunday, the corrected files were delivered. I reviewed them myself, cross-referencing every detail against the architectural plans. This time, it was right.

The Outcome and the Lesson

The developer's board approved the design. The project broke ground in July 2024, and the first units are slated for occupancy by early 2026. The client later told us our handling of the crisis actually strengthened their confidence in our team. "If you can deliver under that kind of pressure," their COO said, "you can deliver on anything."

But I still think about that freelancer's $1,200 quote. If I'd taken it, we might have saved $3,300 upfront—but we'd probably have delivered subpar work. The penalty clause alone would have cost us $50,000. Plus the reputational damage. Plus the lost future business.

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To be fair, there are situations where budget-friendly rush options work fine. I get why people look for savings—project budgets are real, and margins matter. But in my experience, when the stakes are high and the timeline is tight, the cheapest option isn't just risky. It's often the most expensive mistake you haven't made yet.

Our company now has a formal policy for emergency projects: any rush job over $2,000 requires a second opinion from a senior team member before choosing a vendor. We implemented that in April 2024, right after this project. It's saved us from three bad vendor decisions since then. One of my biggest regrets was not having that policy in place earlier. The goodwill we're working with now—from both clients and trusted vendors—took years to build. One bad choice could have unraveled it.

If you're in commercial design procurement, here's what I'd suggest: before you take the lowest rush quote, ask yourself what it will cost if it goes wrong. Not just the redo fees. The lost hours. The strained client relationships. The missed deadlines. The hidden costs of 'saving' money.

See also New Packaging Printing chapter: gotprint insight-driven development
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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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