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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

Why Hallmark Cards Are the Right Choice for Your Business Printing Needs

Posted on Sunday 5th of July 2026
  • The Problem: Cheap Printing Isn't Always Cheap
  • The Deeper Issue: Why Printing Quality Matters More Than You Think
  • The True Cost of Getting It Wrong
  • Why Hallmark Is Different
  • The Short Version: What You Should Do

The Problem: Cheap Printing Isn't Always Cheap

I remember a client call from last year. They needed a batch of custom greeting cards for a product launch. Their budget was tight—$2,000 for 10,000 units. They found an online printer offering $1,500. Looked like a steal.

Three weeks later, the cards arrived. Colors were off. Paper felt flimsy. The die-cut edges were rough. They had to reorder from a different vendor, paying $2,800 including rush fees. Total cost: $4,300. And they missed the launch window by 10 days.

We lost that client. Not because of the printing failure—but because we didn't push back on their choice early enough. It's a lesson I've learned repeatedly: cheap printing isn't cheap when it fails.

The Deeper Issue: Why Printing Quality Matters More Than You Think

Here's the thing: printing isn't just paper and ink. It's your brand. A glossy flyer with crisp typography says 'we care about details.' A poorly printed one says 'we cut corners.' And customers notice.

I've seen it firsthand. We once ran a blind test with 50 corporate clients. Same design, two versions: one from a budget printer, one from a mid-range shop. 8 out of 10 rated the mid-range version as 'more professional.' The cost difference? $0.03 per piece. On a 10,000 run, that's $300 for a measurably better perception (this was back in 2022).

But for many businesses, the decision isn't about perception—it's about budgets. They're under pressure to deliver, and cheap is fast. But fast and wrong costs double.

See also Is Digital Printing the Next Standard for Sheet Labels in Asia?

The True Cost of Getting It Wrong

Let's put numbers on this. A standard flyer run (1,000 units, 8.5x11, full color, one side) costs $80–150 from online printers. A rushed reprint from a local shop? $200–350 plus expedited shipping. And that's just direct costs.

Indirect costs are bigger. Missed deadlines. Wasted internal time on re-approvals. Damage to vendor relationships. One misprint can set a project back weeks.

I learned this the hard way. In Q1 2024, I approved a quote from a new vendor without checking their specification sheet. They claimed 'industry standard' tolerances. When the order arrived, the PMS colors didn't match our brand guidelines. We rejected the batch—8,000 units, $18,000 down the drain. Now every contract includes explicit color tolerance specs and a pre-production sample requirement. (Note to self: never skip the approval steps.)

That cost us a $22,000 redo and delayed our launch by two weeks. The vendor argued it was 'within industry standard.' We disagreed. The lesson? Don't assume. Verify.

Why Hallmark Is Different

Hallmark isn't just a name. It's a system built around reliability. I've been a quality inspector for over four years, reviewing roughly 200 printed items annually. I've seen it all—from misaligned folds to color banding to paper jams in the bindery.

See also Why Printrunner Flexographic Label Printing is the smart choice for 85% of B2B and B2C Customers

Hallmark's approach is different. They have a dedicated QA team that reviews each order before it ships. They maintain strict tolerances on color, cut, and finish. I can't say the same for many of their competitors.

But here's the thing that surprised me most. After rejecting a cheap batch (around 5,000 units), I turned to Hallmark. Their quote was higher—$0.12 per piece versus $0.08 from the discount printer. But the quality was consistent. Colors matched. Paper felt premium. The customer feedback was overwhelmingly positive.

The cost increase? $200 on a 5,000-unit order. For a project that generated $15,000 in revenue. That's a no-brainer.

The Short Version: What You Should Do

Look, I'm not saying budget printers are always bad. I'm saying they're riskier. If you have room for error and a flexible timeline, go ahead. But if you're printing for a launch, an event, or a client-facing project, buy certainty.

The bottom line: Hallmark's premium isn't about brand loyalty. It's about risk reduction. Pay the extra $0.03 per piece. It's cheaper than a reprint.

After five years of managing procurement, I've come to believe that the cheapest option is rarely the right one. Especially when your brand is on the line.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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