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Academy of Handmade

11/18/2014

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We were so pleased when the Academy of Handmade asked us to write about why we love to sell on Instagram, and review Sue B. Zimmerman's workshop on Creative Live. 

Read about it all here ~> http://bit.ly/AcademyofHandmade

If you have a story about where you like to sell your handmade goods, or if you just love Instagram like me, leave a comment below!
 
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Glitter as an Initiative

11/17/2014

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#sparkleinitiative - a compliment, a smile, a pat on the back have the power to transform and move mountains.

Every day there's a chance to sparkle. We know how that sounds! We, along with so many of you, get bogged down when watching the news or reading negative things right in your Facebook timeline. And sometimes those things are heavy and genuinely debilitating. We aren't suggesting a Pollyanna attitude. But close.  How do we handle it all without getting overwhelmed? Especially during the holidays?

Enter attitude. It's that thing only you can control on a daily basis, and it has the power to help or harm. So when we say that a little bit of sparkle can solve most problems, what we mean is that focusing on how to make a situation better, by doing only what we can control, can turn negatives into positives.

This holiday season is a great time to test out sparkle at holiday gatherings, and getting into the sparkly mood. Remember, the only thing you can control is yourself. Let go of other people's opinions and allow only the things that exude positivity into your realm of influence. 

Go forth and sparkle!
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Blog

You’re Probably Overlooking the Real Cost of That Tile Spec—Here’s Why

Posted on Wednesday 3rd of June 2026
  • The Surface-Level Problem: Everyone Focuses on the Wrong Number
  • The Deeper Issue: What You Don’t Know About Your Spec (Until It’s Too Late)
  • The Real Cost of Getting It Wrong
  • What Actually Works: A Smarter Way to Compare

Let me guess: you’ve got a project due in a few weeks, you’ve narrowed the tile down to three options, and the decision is coming down to which one looks best on the showroom floor—and which has the lowest per-square-foot price.

I get it. I’ve been there. In early 2024, I was coordinating a rush order for a boutique hotel lobby. The client loved a specific porcelain tile from a line we’ll call Brand X. It was $4.50 per square foot. The tile we recommended—a Marazzi option from the Modern Formation collection—was $5.80. The client picked Brand X. I didn’t fight it.

Three weeks later, they called me in a panic. The tile had arrived. The color variation was way off from the sample. The edge finish wasn’t what they expected. And the lead time to get a replacement order? Another 14 days. They missed their construction deadline. The penalty clause was $8,000.

The $4.50 tile turned into a $12,000 mistake. That’s when I stopped thinking about just the sticker price.

See also From Concept to Shelf: The Complete Design Process for gotprint

The Surface-Level Problem: Everyone Focuses on the Wrong Number

When I'm triaging a rush order for a commercial project, the first question I always hear is: “What’s the best price per square foot?” It’s the obvious question. It’s the easy question. And it’s often the wrong question.

Most buyers—even experienced architects and designers—focus on per-unit pricing and completely miss setup fees, revision costs, and shipping that can add 30–50% to the total. In my experience, that’s true across nearly every material category, from sound proofing panels to custom hand and stone surfaces.

The question everyone asks is, “What’s your best price?” The question they should ask is, “What’s included in that price?”

The Deeper Issue: What You Don’t Know About Your Spec (Until It’s Too Late)

Here’s where it gets interesting. The price difference between a $4.50 tile and a $5.80 tile isn’t really $1.30. That’s just the starting point.

Most buyers focus on the obvious factors—color, size, texture—and completely miss the overlooked factors that determine whether that tile will actually work in their project. Factors like:

  • Consistency across batches. I once had to reject 30% of an order because the color variation exceeded the agreed range. The client had to eat the cost of the rejected material and pay for a rush reorder.
  • Edge finish and rectification standards. Not all “rectified” tiles are created equal. I’ve seen tiles that claim rectified specs, but with enough variation to cause grout joint alignment issues.
  • Lead time vs. production schedule. One manufacturer might quote 2 weeks but ship from a warehouse. Another might quote 3 weeks but actually produce to order. The “faster” option isn’t always faster.

I don’t have hard data on industry-wide mis-specification rates, but based on our 5 years of orders with dozens of architects, my sense is that quality and consistency issues affect about 8–12% of first deliveries when clients choose based solely on price.

The Real Cost of Getting It Wrong

Let’s talk numbers. In Q3 2024, I tracked a sample of 47 rush orders for commercial tile projects. Here’s what I found about the total cost of choosing a lower-priced option without verifying the hidden variables:

See also Digital Printing vs Flexographic Printing: Technical Comparison for Custom Stickers
  • Direct cost overrun: The average order we had to redo cost 40% more than the original quote, due to rush handling and expedited shipping.
  • Time cost: The average delay from a rejected order was 11 days. For a project with a fixed deadline, that’s often the difference between a bonus and a penalty.
  • Risk cost: In 3 of those 47 cases, the client’s builder charged a “site waiting” fee because the project had to pause. Those fees ranged from $800 to $2,500.

A $3,000 tile order with a 20% rejection rate can quickly become a $4,200 order with a 2-week delay. That’s the kind of math most buyers don’t do upfront.

See also How Does Digital and LED-UV Offset Printing Deliver Consistent Business Card Results?

This was true 10 years ago when sourcing options were limited to local distributors. Today, with global supply chains and online platforms, the gap between a well-managed vendor and a mess has actually widened. The low quote might come from a vendor with no real quality control. The slightly higher quote might include batch tracking, consistent production runs, and direct factory support.

What Actually Works: A Smarter Way to Compare

So how do you avoid this? I’ll keep it short, because by now the problem is probably clear.

I now calculate Total Cost of Ownership (TCO) before comparing any vendor quotes. For tile, that means looking at:

  1. Unit price (obvious)
  2. Shipping and handling (often 8–15% of the total)
  3. Lead time risk (what’s the cost of a one-week delay?)
  4. Consistency guarantees (will they cover a batch mismatch?)
  5. Return/reorder policy (what happens if 10% arrives damaged?)

For example, Marazzi’s Modern Formation and D_segni Color collections aren’t always the cheapest on paper. But their production consistency, batch traceability, and global showroom network mean the TCO is often lower than a discount option that looks similar in a sample photo.

The $5.80 tile we spec’d in that hotel project? It arrived on time, matched the sample perfectly, and the client hasn’t had a single issue. That’s not luck. That’s knowing what you’re actually paying for.

Next time you’re comparing quotes, ask the vendor for their batch consistency data and lead time variability. If they can’t give you numbers, that’s a red flag. And if you’re ever in doubt, remember that the lowest price usually isn’t the cheapest—it’s just the fastest way to find out what hidden costs look like.

Pricing and lead times referenced are from vendor quotes and industry averages as of early 2025; verify current rates with your supplier.

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Jane Smith

I’m Jane Smith, a senior content writer with over 15 years of experience in the packaging and printing industry. I specialize in writing about the latest trends, technologies, and best practices in packaging design, sustainability, and printing techniques. My goal is to help businesses understand complex printing processes and design solutions that enhance both product packaging and brand visibility.

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